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Posts Tagged ‘slab’

I hear them screaming through

the sound of falling and splashing

and stumbling down staircases.

Of mangled steel twisting glass

and concrete skins ripping away

from the building’s skeleton.

 

I hear the slithery rush of jet fuel

scrambling down chases and elevators

at first and second impact, the aftershock.

Igniting fireballs through the hallway.

Explosions rocked the foundations

trembling in little earthquakes.

 

I hear the mad stampede roar.

I hear the panic bars unlatch.

Then the cacophony of sirens,

the tolling of alarm bells,

the symphony of shock,

the avalanche of horror,

the carnage of the missing,

and the agony of the trapped.

 

I hear them- peoples of the world,

helpless among the tangled mess

of floor slabs toppled like a deck of cards.

The gradual weakening of their hearts,

the whispers in pain, the unison in prayer.

The slow fragile breaths silently eroding

and extinguished like wisps from a candle.

 

I hear the distant cries of children

who lost their fathers and mothers.

The anguish of fathers and mothers

losing their children in the rubbles.

The lamentations of men and women

losing their wives, their husbands,

their brothers and their sisters.

 

I hear them all within the sound of the water

trickling down over the polished slabs of stones.

I hear them while I listen in the reading,

of engraved names whose innocent fates

were like the powdery dusts in mid-air

frozen, suspended, undiminished in time.

 

I hear the grieving sighs. The silent tears.

The ashes of remembrance, the memory.

The extraordinary day when the world

will never forget the ground zero.

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I’m No Frank

Frank Lloyd Wright

and his falling water. Masses

of concrete cantilevered,

and extending outwards

like hands reaching- symbiosis.

But I’m no Frank

and dreams might be

my little fingers clasping

hard and pushing pencils

for somebody else’s utopia.

 

The hewn boulders of rock

resisting the foundation

on which this grand design sits,

I bear the weight of expectations.

Balancing upon the scales

on which the measure of cement

is mixed in sand and water.

The lapping over of slates into a bond.

The forward thrust of hammer to nails.

The tightening of ties around stirrups.

The alternate laying of the roof decking.

 

And the network of drain pipes,

cables and ducting, and waterlines

resembling the veins and sinews

of the building’s skeleton. I build

a symbol- the framework of the mind.

The genius envisions an edifice

in his intellectual acrobatics,

justifying to the world the modern-

reality that build themselves on paper.

 

Summoning the masons to lay

its plaster to newly cured blocks.

The painter to swab the walls

in fresh coats. The decorator

sets the chairs, the beds,

the mirrors and the tables.

The vases and layers of curtains.

The lifeless sculpture pieces

and paintings hanged to the walls.

Fixing rolls of wallpaper  and carpets

over polished granite floors.

 

The carpenter assembling

cabinet boxes, ledges and shelves.

The windows fitted to the sills.

And the doors hanged on frames.

The location of the chandelier.

Installing wooden slabs on stairs.

The green patinated balustrades.

The landscaper to plant shrubs, and ferns

and vines and trees and patch of grass.

The water fountains and the waterfall

arranged mimicking a natural set-up.

 

But I ‘m no Frank.

The hours stretched for miles and miles.

The drafting table becoming wet with fog

until  the first  hours of the morning.

I can hear the mad conversations

of the vellum and the graphite saying,

“deadline nears, it’s almost here”.

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The walls are coarse to touch, hard and steely,

it was a challenge not to see but to feel with our fingers

sharp points that will prick a skin and bleed. By then

the grave of the earth has avenged its loss. The stair

is a winding wonder of wooden realm. Forest scent

permeates like sweat staining musk to the olfactory.

Curtains we plucked from the fibers of the grass

that exist  in some temperate savannah, polished

and handwoven by the nomads of Siberia.

The glass came from the silicates we scoured

from the rivers of Babylon, coal-fired in a furnace

by a hundred men impoverished with ten cents an hour.

And the floor is a polished limestone quarried

from some majestic mountains of the Far East. White,

cold slab, for our feeble feet resting on a tombstone. The chairs

are fabricated in hides separated from the meat of animals

domesticated and cultured for a trade in an African jungle.

We commercialized the organic in the will of the greedy generation

crazy for the avant garde. We are fond of collecting. Prized.

Natural. Unique. All, for the sake of a want  that cannot be satiated.

And at a cost, we hunger for more as we build our little kingdoms,

looking for some definition. Until we find that there is no more left

of the skin of the earth, we have stripped of its clothing

to cover our shelters.  Unless we travel to the moon

digging kryptonites to embellish facades of our own vanities.

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