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Posts Tagged ‘Monet’

I met Monet

in his princely demeanor,

among the manicured lawn

and the secret garden

grows its verdant sprigs

and tresses, wild and free

in the prairie. Butterfly

flutters  paint palette

hovering bloom

after bloom. Solitude

 

drips in cadmium and ochre sun

sitting prominently,

potted and composed,

regal and undisturbed.

A gentle touch of the brush

that peaceful gaze,

horizonless strokes,

a sweet landscape.

 

I walk dreamily

drank with loveliness,

the wavy enthusiasm

of the blue sea.

Such is the welcoming

spirit of the flags

sashayed in the wind,

gliding together

with solitary birds

taking flight. Still

 

above the silver lake,

mirrored pools

of mountains in reverie.

I see reflections

of wooden boats

bobbing in a dance

with quiet clouds

rippling soft creating

small shivers

in its feathery face.

 

I remember the way

he  ushered me in

like an esteemed guest.

Taking my eyes to see

his picture books

of seeming easiness,

that immortal silence

showing how

to live as human,

not quite heavy

as his tormented soul.

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Pensive as I was in this lazy afternoon.  Looking out in the window and the hazy light filtered through. Sending dust like a strobe of crystals. I stared. Just stared for the longest time.

The muse didn’t come as I expected.  Like an acrylic tube on the verge of squeezing out  of its contents, I just stared coldly. Nothing spectacular. The portrait on this blank canvas are just collections of imaginary lines and some vague illusions on my mind. And build a colony of dots. Like Van Gogh.

I could paint of scribblings out of nothingness. And my thoughts wander  into wide spaces. And wanders still. I see only spatters of red, black and white against this concrete grayness. Of anger splashing buckets of paint into surface. Like Pollack. 

I could paint the sky blue if I want to.  I can make the leaves of the trees rustle and sway with the winds.  I can make a brook  serenely flow through underneath a little wooden bridge. I can make distant hills fade into indigo. Like Monet.

I could paint a man without a face. And apples falling like raindrops. And doves flying.  The tragedy, the pessimism and idiosyncrasy of a human being. And a dark world encapsuled into an umbrella, black and mysterious. Like Magritte.

I could paint a typewriter with keypads of pain. And some melted clocks. Of swans reflecting elephants. And the gory details of death. Of treachery of reason. Of denouncing fascism. And bizarre existence of realities.  Like Dali.

I could use color yellow and orange interspersed with black squares, sharp angles, cubes and rectilinear forms in human subjects. Of some gothic revivals. Of somber shades of blue and blue green. I can use pink painted into some circus scenes. Of collages with pieces of everyday things. Like Picasso.

The brush is waiting to be lifted.  The easel is upright and ready.  The mixing palette is parched. The canvas is already stretched out to its frame. The sketchbook is laden with unfinished illustrations and  images, waiting to come alive. Where freedom is knocking on this soul’s threshold. 

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