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Posts Tagged ‘mad’

Verges means being pushed to the edge.

Like you are being confronted at a knife point

and you just can’t turn around but to dive

into that abyss while you don’t know how deep it was.

You always say that you can’t let them ruin you

but it’s a plain lie you wish that all is perfect.

 

If only you can cut the wire and kiss the voltage.

If only you can let the rope grip around the neck.

If only you can break the mirror and embrace danger.

Would it change a thing? Ah but no, you just go on

struggling with your inner demons and chase them

wielding that sword to cut-off somebody else’s head.

 

For you, everyday is a waging battle of wits and reason.

Perfection is costly. Holiness is fatal. Which one are you?

Nobody is born a saint and you won’t believe it too?

Do you suppose to expect the world will applaud a hero?

You raised the bar too high and it left you there isolated

basking in your self-proclaimed brand of narcissism.

 

Tell me now then, how it hurts to held onto the razor’s edge.

Or screaming mad in silence when you temporarily got insane.

Does it worth to feed people’s expectations and drag your feet

into that unending precipice while you can’t discern the apex?

Excuse my French, but I think you need to stop this disillusion.

Take a turn towards the direction where your heart leads you.

 

You might be a simple man- confident and unpretentious. Free.

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I hear them screaming through

the sound of falling and splashing

and stumbling down staircases.

Of mangled steel twisting glass

and concrete skins ripping away

from the building’s skeleton.

 

I hear the slithery rush of jet fuel

scrambling down chases and elevators

at first and second impact, the aftershock.

Igniting fireballs through the hallway.

Explosions rocked the foundations

trembling in little earthquakes.

 

I hear the mad stampede roar.

I hear the panic bars unlatch.

Then the cacophony of sirens,

the tolling of alarm bells,

the symphony of shock,

the avalanche of horror,

the carnage of the missing,

and the agony of the trapped.

 

I hear them- peoples of the world,

helpless among the tangled mess

of floor slabs toppled like a deck of cards.

The gradual weakening of their hearts,

the whispers in pain, the unison in prayer.

The slow fragile breaths silently eroding

and extinguished like wisps from a candle.

 

I hear the distant cries of children

who lost their fathers and mothers.

The anguish of fathers and mothers

losing their children in the rubbles.

The lamentations of men and women

losing their wives, their husbands,

their brothers and their sisters.

 

I hear them all within the sound of the water

trickling down over the polished slabs of stones.

I hear them while I listen in the reading,

of engraved names whose innocent fates

were like the powdery dusts in mid-air

frozen, suspended, undiminished in time.

 

I hear the grieving sighs. The silent tears.

The ashes of remembrance, the memory.

The extraordinary day when the world

will never forget the ground zero.

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I’m No Frank

Frank Lloyd Wright

and his falling water. Masses

of concrete cantilevered,

and extending outwards

like hands reaching- symbiosis.

But I’m no Frank

and dreams might be

my little fingers clasping

hard and pushing pencils

for somebody else’s utopia.

 

The hewn boulders of rock

resisting the foundation

on which this grand design sits,

I bear the weight of expectations.

Balancing upon the scales

on which the measure of cement

is mixed in sand and water.

The lapping over of slates into a bond.

The forward thrust of hammer to nails.

The tightening of ties around stirrups.

The alternate laying of the roof decking.

 

And the network of drain pipes,

cables and ducting, and waterlines

resembling the veins and sinews

of the building’s skeleton. I build

a symbol- the framework of the mind.

The genius envisions an edifice

in his intellectual acrobatics,

justifying to the world the modern-

reality that build themselves on paper.

 

Summoning the masons to lay

its plaster to newly cured blocks.

The painter to swab the walls

in fresh coats. The decorator

sets the chairs, the beds,

the mirrors and the tables.

The vases and layers of curtains.

The lifeless sculpture pieces

and paintings hanged to the walls.

Fixing rolls of wallpaper  and carpets

over polished granite floors.

 

The carpenter assembling

cabinet boxes, ledges and shelves.

The windows fitted to the sills.

And the doors hanged on frames.

The location of the chandelier.

Installing wooden slabs on stairs.

The green patinated balustrades.

The landscaper to plant shrubs, and ferns

and vines and trees and patch of grass.

The water fountains and the waterfall

arranged mimicking a natural set-up.

 

But I ‘m no Frank.

The hours stretched for miles and miles.

The drafting table becoming wet with fog

until  the first  hours of the morning.

I can hear the mad conversations

of the vellum and the graphite saying,

“deadline nears, it’s almost here”.

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I can feel it now across this table

in the old diner of this no man’s land,

The sound of shuffling deck of cards.

Or is it the leaves in autumn falling

in September- that he will remember?

 

Do you know what it feels like

to be buried in cans and tins of paint,

blurring away the sun, moon and the stars?

The distance masked from the past

drowned in ebbs and crests of time.

 

He searches his soul among the shambles,

the printed letters fading on the pocketbook.

I sense the mad rhythms and cadences

of cursives and scribbles in melancholy.

The dead poet speaks uneasy like this.

 

He seems to be trapped. A vagabond.

A tyke on his cell who think he’s free.

Swimming away like a salmon

undisturbed by the changing seasons,

lost in migration to the new world.

 

He traded a king of hearts

and settles for a jack of spades.

The wind is rough, blowing in with sand.

This is not the gentle breeze of the prairie.

A tune. Unfamiliar, humming in my ear.

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No string quartet.

No conductor to signal the baton.

No orchestra to anticipate my usual swoon

of randomly plucked staccato

alternating octaves

like a mad man in Vienna.

 

Alone in the stage,

I would linger

unvigorous in vibrato,

punctuating this sadness

in glissando. A solo part- how I wish

to serenade the muse. Longing

to tell her story in music-

under the sweet  delicate pitch

sorrow of Cremona.

 

The episodes, I have written on

mellow notes, resonant harmony-

bowing cello. Passionately

romancing my fingers to the smoothness

of her nape, the ebony board. While

sitting on a chair, I am a young lover

in blue, embracing memories.

 

My gentle touch travels

her body,  her maple waist

to her bridge, her sensual curves.

Choreographed my movements

spiked to her gravity. My slow breath

became whispers reverberating,

counter-pointing her lucid melody.          

 

I chose to be soft rather than loud,

my cello swooning treble of a tenor-

overwhelmed by a mezzo-soprano.

Quenching beneath this segmented,

disjointed and abruptly shifted

monotony of a lifetime

asking for her forgiveness. 

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